Tag Archives: Photographing wildlife

In Search of the Unexpected Trogon.

Far away and long ago I was filming wildlife close by the small community of Portal in southern Arizona, travelling daily across the border to New Mexico; what I remember most vividly is having to get up an hour earlier each day to be in good time crossing into a later time zone… Getting up early has always been painful to me, especially if I’m missing breakfast!

I remember this minor inconvenience better than almost anything about Portal; certainly it wasn’t over developed – but maybe now, things have changed… I hope not, because out of the way places are at their best when they stay gently un-noticed.

My first visit was thirty years ago – I still have a T-shirt that sums it up – across the front in big black letters is written ‘Where the Hell is Portal?’ designed no doubt, by a resident with a self deprecating sense of humour, something that is sadly missing in many small communities. If Portal were in Australia it would be the sort of place where people worry about visitors laughing at them and then they’d build something hideous to make this a certainty – perhaps the world’s biggest sheep in corrugated iron – but not Portal… this is a place altogether more self assured.

To be honest, I liked Portal so much, I was soon buying a second T-shirt, and on this one there was a picture of an odd looking bird with the words TROGON COUNTRY – a surprise to me because I thought trogons were essentially tropical birds. Portal is now a popular bird watching area, but as it wasn’t busy when I was there I didn’t find anybody to advise me where to look, and set off in a fruitless search… Not only did I not see a trogon… I didn’t see another living soul.

I still have the Trogon T-shirt.
I still have the trogon T-shirt. I bought half a dozen Arizona shirts around that time and note the combined age of three and a half them is exactly the same age as Arizona and it takes only five combined to reach the age of Canada, which suggests either I’m getting old, or much of North America is still very young!

I soon discovered that the elegant trogon can be seen in this essentially arid region during spring and summer; back then I hadn’t managed many visits further south where trogons are more easily discovered.

The order Trogoniformes has only one family that contains both trogons and quetzals. To me they seem odd looking birds, with elongated bodies and poorly developed legs and feet, their toes arranged two front and two back like a parrot. They show up across the tropics in Africa, Asia and the New World, nesting in holes dug in trees and sometimes termite mounds, living in wooded areas which are often quite degraded; they feed mostly on insects, a variety of small animals and fruit.

It was perhaps my failure to see trogons in Arizona that made me determined to seek them out and my chances improved dramatically when some fifteen years later I went with my family on holiday to Tobago.

We took up residence at the top of a beach; spending most of our time in the water, but when my children were young, holidays always involved a family day out, although my children generally viewed such outings as a road trips to hell, but complaining was futile, I wasn’t going to pass up the opportunity of photographing local plants and animals, or deprive the children of seeing something interesting. We always left a place knowing more than when we arrived, even if in the process some of us left it feeling, well… a little more grumpy.

Tobagonian rainforest is beautiful, although not quite what it was after Hurricane flora.
Tobagonian rainforest is beautiful, but not quite what it was after Hurricane flora.

In 1963, Flora was one of the worst hurricanes ever to pass through the Caribbean – or anywhere else for that matter, it took out around three quarters of Tobago’s natural forest, and substantially damaged the remainder. The forest should have grown back naturally, but much of the available space was rapidly colonised by an introduced bamboo. Tobago has its own native bamboo species but none big enough to take over a forest. One day this forest will grow back and crowd out the invader; but at the time this rapidly growing alien, gave native birds a better chance of surviving the ecological disaster – at least in the short term. I don’t know how things will work out, but in 1999 there were tracts of alien bamboos growing across the Island that didn’t naturally belong there. 

A native blue-crowned motmot sitting on non-native bamboo.
This native blue-crowned motmot was sitting amongst non-native bamboo.

Occasionally when working for the B.B.C. a local guide would be employed to help, but when on holiday such expenses were personal to me, and that took a bit of getting used to. There can be no doubt however, that when time is limited, shelling out for somebody who knows the local area optimises your chances of seeing something interesting. In Tobago we were lucky enough to find Peter Cox who took us to a particular tract of forest when we asked him to find trogons and blue morpho butterflies.

Peter with my son at the entrance to a forest trail when we were all a bit younger.
Peter with my son at the entrance to a forest trail when we were all a little younger.

Good guides like Peter not only know where to take people, they can also avoid making repeated visits to habitats that are under pressure. Their influence is more consequential than anything I might achieve by contributing to  T.V. programmes that often preach to the converted in places far from the country where filming took place. Advice given to locals by somebody like Peter who understands the environment can have far reaching  consequences, fostering positive changes, particularly when any conservation efforts are tailored to local needs. 

We walked with Peter through the forest on a track that ran some distance along a river bank; and over the course of a few hours saw both trogons, blue morph butterflies, and many other species besides. Peter provided useful information about the local habitat and was especially good with the children which made the day a great success. Nobody fell over, got  bitten, stung or drowned, all of which are plus points when you take small children into a rainforest.

The Tobago Tourist Board will be happy to hear me say that Tobago provides a great starter tropical forest for travellers because it has very few noxious species – no venomous coral snakes, South American bushmasters or fer-de-lance vipers, all of which occur on the neighbouring island of Trinidad. The only downside to this single short visit was that I didn’t get any good shots of trogons.

The downside was, I didn't get any really good pictures - to do that in a single outing with two young children in tow was rather hopeful.
Photographing, trogons in the dense cover of the forest proved difficult, and  the bird’s habit of sitting in shadow, or contrasty dappled light was challenging. 

It would have been easy to blame the poor results on having two small children in tow, but their behaviour was never in question – they would stand still, or move carefully and quietly on request more reliably than many adults – it goes without saying that small children incapable of following instruction should never be taken into a tropical rainforest.

This was about as good as it got - altogether pretty hopeless.
This was about as good as it got – a very unimpressive photo, but at least we all managed to see a collared Trogon.

I didn’t go specifically searching for trogons again for around another fifteen years when during November 2015 my wife, daughter and I travelled from Vancouver to the Sea of Cortez, a place that I’d always wanted to visit. Seeing a trogon was in the back of my mind when on 12th November 2015 we arrived in Puerto Vallarta; the water was a pleasant 85F degrees  in stark contrast to the cold North Pacific so recently left behind.

Years earlier I had spend hours talking to B.B.C Natural History producer Barry Paine who was planning to film in The Sea of Cortez. The conversation had been very one sided as Barry had been researching his project for years, looking into naturalist William Beebe’s trip along the northwest coast of Mexico. He was also familiar with the voyage of discovery made over a six week period in 1940 by John Steinbeck and Marine biologist Ed Ricketts as they collected and recorded specimens from the tidal zone. This story particularly interested me because the resultant book became a work of non-fiction, with Ricketts name removed from later editions after his accidental death in 1948; what followed was a reworking by Steinbeck, although it was Ricketts who provided most of the research material.

The book was important because it reflected the changes that were starting to happen in the area, hinting at the ecological problems that we face today. It was one of the earliest written works to touch upon environmental concerns by actually going to a place and looking, rather than simply making armchair suppositions about how bad things potentially are. Some 15 years after our discussions Barry finally did get to make his film and I was by then working somewhere else and never managed my all expenses paid trip to the area.

The Sea of Cortez as I had imagined it.
A recent picture of a coastal region of The Sea of Cortez. It was just as I had imagined it to be.

Steinbeck knew even as he was writing, that things were taking a turn for the worse; air travel was about to change everything bringing in waves of tourism. He didn’t however foresee the arrival of cruise ships, depositing millions of people into what had until recently been a comparatively remote area. The influx improved local economies just at the time when fish supplies had become depleted; and as one major industry took over from another, pressure began to build on a whole set of other resources centring around land use and fresh water availability. The changes were rapid in the extreme, with the charm and natural beauty of many areas almost entirely lost in just a few years, although it might be reasonably claimed that bringing tourism to an area is better than leaving local people to live in poverty.

Tourists enjoy themselves and bring money to the local economy and vcertainly they are not causing direct physical damage to the local environment because few move far beyond their holiday triangle, the hotel, the beach and the bar.
Tourists come to Mexico to enjoy themselves, and in doing so, bring money to local economies. Most will not cause direct physical damage to their surroundings because few will move beyond the holiday triangle of their hotel, the beach and the bar.

There is of course no going back now. Most high rise condos are within easy reach of a well watered golf course, which in arid regions isn’t sustainable as visitors increasingly consume water and generate waste. Local needs have already made a huge difference to natural habitats; farmers have always struggled to grow food in this arid region. Many places idealized in our dreams as clean and beautiful are now anything but, as agriculture followed by the development of tourism has taken a toll. Trash – in particular plastics – are steadily making their way into what until recently, were pristine ecosystems.

The reality of the Sea of Cortez. Not every fishing village has turned into a holiday resort, but many have and others are going the same way - this Los Cabos at the southern tip of Baja California
The reality of the Sea of Cortez is that not every fishing village has been turned into a holiday resort, but the many that have are now changed beyond all recognition – this is Los Cabos at the southern tip of Baja California.

On our visit, to be certain of finding viable natural habitats we enlisted the help of Geraldo. It wasn’t long before he was driving us through the outskirts of Puerto Vallarta, heading inland towards the hills, passing through numerous villages and the agricultural land that surrounds them until eventually we arrived in an area of woodland, mixed vegetation and pasture to begin our search for butterflies and birds.

As Geraldo drove he outlined his background. As a child he’d looked after his mother’s aviary, providing food and water for the birds he’d steadily developed an interest in them. Then somebody took him to see birds in the wild and he was at once impressed by their beauty, especially when he first saw an elegant trogon; these experiences encouraged him to try and conserve them.

On a track he stopped to speak with a local riding out to tend his stock; when we drive on he explains how important it is to develop the trust of the people who live gere. He has often spoked to farmers about vultures, telling them the birds kill snakes, although he admits to exaggerating on occasions saying, ‘especially the poisonous ones’. Once they understand this link farmers are less inclined to kill the birds to protect livestock. Vultures are scavengers that play an important role in cleaning up the environment, but because they have predatory hooked bills, suffer serious persecution worldwide. 

You have to go some way out of town now to see old Mexico, but many don't get much further than a local bar.
Visitors need to travel a little to experience old Mexico, but most do not move far beyond their resort, irrationally fearful of dangers that are rare outside of major cities.

A local says he saw jaguar paw prints recently, there are also pumas here, but strangely most people show very little ill will towards them, perhaps because they are not as commonly seen as they are deep in the interior. This live and let live attitude hasn’t always been a usual response to big cats – the son of a restaurant owner recently told us that when he was a boy his father was out every night hunting jaguar and puma. The current state of affairs is that there are occasional signs of big cats moving through, but in general they are scarce and rarely seen.

Our guide Geraldo, birdwatching with my wife and daughter.
Our guide Geraldo, birdwatching with my wife and daughter.

Without question Geraldo speaks passionately about Mexican wildlife, he clearly sees environmental problems increasing and the need for conservation, and contributes positively by giving talks to encourage the locals to take an interest in their wildlife. He undoubtedly has influence and is one of a steadily increasing number of unsung heroes of local conservation.

We watch a female golden-cheeked woodpecker busily working a rotten tree close by the track.
We watch a female golden-cheeked woodpecker busily working a rotten tree close by the track.

Many years ago Geraldo decided that he would like to conserve mountain habitat, and as he wondered how he might achieve this, the Government stepped in to conserve several areas of concern, but the lowlands through which we are travelling have no such protection, other than the conservation of some larger established trees.

The loss of lowland habitats to agriculture and development is a worldwide problem – the attitude that wildlife should live on the land that we can’t fully utilizie isn’t helpful because many species are specific to lower altitudes and not all can get simply move on to live in the mountains, while we, quite literally, take the lions share and strip out the lowlands. As our populations have increased, the conservation of lowland areas has become a nightmare, with frequent conflicts between landowners, large herbivores and their predators. With national parks too small for the long term viability of many species, the future does not look encouraging. We are not living in harmony with the natural world and the influence of people like Geraldo has far reaching consequences.

We manage to see a variety of butterflies and birds during our day out, many of them restricted to the dry forests of western Mexico, but, so far, we haven’t  come across one bird in particular, the Citreoline trogon which can only be seen down this side of Mexico. Then it happens, we are driving out of the forest and my wife Jen spots one in a tree… I can’t quite believe our luck and get out of the vehicle to walk a little closer, and am soon taking pictures.

The Ciroeline trogon was clearly visible in a tree not far from the track, but strong contrasty light made photographing the bird difficult.
The Citreoline trogon was clearly visible in a tree not far from the track, but strong contrasting light made photographing the bird difficult and I was a little too far away for a good picture.

The citreoline trogon has black and white bars on the outer tail feathers, a yellow belly an yellow eyes – a distinguishing feature if, as is the case here, you get to see the bird only from behind. 

A little later the bird is singing and the head, although in shadow, is more clearly defined. The bird has its back to us and it is said the bird prefers to present its back to an observer because of its belly is bright yellow... but I'm not sure that it isn't just a matter of chance.
A little later the bird was singing and the head, although in shadow, more clearly defined. It is said this bird prefers to present its back to an observer because its belly is bright yellow… but I’m not sure that this isn’t just a matter of chance.

There is a need for us to move on because we have limited time before making a connection, that if missed, will leave us stranded in this part of Mexico for sometime. As we drive on, I see a bird in a tree and Geraldo slows, before inching forward to get a better view and soon we are bogged down in sand just off the main track. We try to dig the vehicle out, my daughter and I bounce up and down on the rear bumper to get traction while Geraldo drives, but all we manage to do is to get the vehicle more deeply bogged in.

A bus which was quite a surprie to see squeezes by as I continue to work clearing sand from around the rear wheel whilst the rest of Mexico discusses what to do after I have failed to improve the situation.
To suddenly see a bus is a surprise –  it squeezes by as I continue to clear sand from around the rear wheel while the rest of Mexico gathers to discuss what to do after I fail to improve the situation.

The local that Geraldo spoke with earlier suddenly comes riding out of the forest and stops to help. He has, as one might expect, a rope, and fairly soon attaches this to a passing 4 wheel drive – the owner of which has stopped to offer assistance and soon we are dragged out. At no time during the proceedings did my wife mention time – over the years, similar incidents in far away places have resulted in her developing an increasingly philosophical approach to life… and this can only be good.

Not quite done with this trogon, in June 2016 Jen and I return to the Bay of Banderas region to stay for a time in Mismaloya, a little out from the main tourist area, so that I might more easily walk into the local forest to photograph wildlife.

We return to the dry forests of the area during the rainy season
We have returned to the dry forests of the area during the rainy season.

It is an eventful week and on our last full day in the region we spend the afternoon photographing flowers and birds in Vallarta Botanic Gardens which is rather wonderful. On arriving back at the Hotel, I leave my wife by the pool to go in search of a pair of basilisk lizards I’d seen a few days earlier close by the local river. It was early evening, the light was going, and I managed only a glimpse of a single lizard, otherwise, there was little to photograph in the fading light and I packed my camera away – which is always a cue for something interesting to happen, and this evening would be no exception.

As I wandered up from the river to rejoin the road I noticed a bird with a bright yellow belly, it was sat in a tree on the other side and this encouraged me to get the camera out to use as a scope. I usually carry it with a long 400 mm. lens attached and take a look through the viewfinder to get the best view I’ve ever had of a trogon in the wild; better still, this was a citreolene trogon, the species we’d seen with Geraldo last year only from the back, but this one was facing me. This isn’t a rare bird in the region, but I’d been looking all week and this was my first sighting – it was great to see it.

This was our final day and my last chance to get a shot of a trogon; although the Iight was hopeless I decided to grab a picture before attempting to set up the tripod which was presently sleeping with its legs tucked up inside itself at my feet. I didn’t even have time to put my bag down, quickly grabbing a hand held shot using the camera on its last settings. I could tell from the click, that the exposure time was long and would most likely provide a blurred image. So, I made a quick adjustment and went for a second shot which I hoped might work, then just before I took a third the bird turned its head away with indifference. This was my cue to put everything down on the dusty track, and wake up the tripod for a steady shot, but in the process I glanced up to  discover the bird had gone; I didn’t hear it fly and had no idea where it might now be. It had appeared and disappeared like the Cheshire cat in  ‘Alice in Wonderland’ but unfortunately unlike the story, bits of it would not be slowly reappearing in front of me. If the tripod had been ready I’d have got the shot without any trouble – I’d wasted my best wild trogon photo opportunity since I’d started looking in the mid 1980s. It would all be down to a single picture taken hand held in poor light on a long lens – a combination that usually results in an underexposed blurred disaster. 

Here then is the unexpected trogon. It is a useful I.D. shot , but not entirely successful - the field of focus is shallow because the light is steadily going.
Here then is the unexpected trogon. This is a useful I.D. shot , but not entirely successful – the field of focus is shallow because the light has almost gone.

On all of the occasions I have tried to photograph trogons in the past, they have been is strong dappled light creating extremes of contrast that are difficult  to deal with; and sitting amongst foliage none have provided as clear a view as this one. More important than the quality of my picture is the rate of development in this area of agriculture and tourism. The real question is, if I come back in ten years time, will there be enough dry forest habitat left to find and photograph this bird at all?

I was beginning to think that if I wanted a good trogon picture maybe I should just go to the zoo.  

A white-tailed or is it a black-headed trogon taken at Seattle Zoo. I don't have the experience to know without seeing it from the front. A lovely bird that took 30 seconds to get, and that's a lot quicker than my trying npw and again over 30.
A white-tailed (or is it a black-headed trogon?) taken at Seattle Zoo. I don’t have the experience to identify the bird without seeing it from the front. A lovely bird that took only 30 seconds to achieve – that’s a lot quicker than my wild attempts over the last 30 years.

I wrote up this story a year ago, but held it back because I’ve never really managed a good shot of a trogon in the wild and that bothers me, but just a few days ago I was visiting the Coxcomb Basin Wildlife Preserve in Belize, which is perhaps most famous for its jaguars, and things suddenly changed. This was my last day in the park and it hadn’t been a very good one for pictures. I had returned to park headquarters and was about to leave, when a passing member of staff said that he’d just seen a trogon in a nearby tree. I was about 25 feet from where it was sitting, and was able to move quite close to a bird totally indifferent to my presence. I took a few shots, and then the staff member said, “And its partner is over there”, pointing at a bird in another tree. “but I don’t know which is the male and which is the female”. His concern was appreciated, but given how long I’d waited for this moment!….  All I had to do was move a few feet and in no time at all I had fairly reasonable shots of both birds. Trogons it seems are a bit like buses – you wait ages – in my case 30 years (give or take a few days from when I first started looking)  and then two come along together.

A male black-headed trogon from the front.
A male black-headed trogon from the front.
And from the back.
And from the back.
This I think is a female - a slightly less colourful bird, but nevertheless still wonderful to see.
This is the female – a slightly less colourful, but nonetheless wonderful bird.

Job done. Thank goodness for that… now I can make a start on toucans! 

With  thanks to Peter Cox Nature Tours Tobago and Geraldo Hernandez Vazquez. www.naturevallarta.com also thanks to John Gordon.

 

Wildlife Photography in 20 Cubic Metres of Mexico.

The patch of forest I’m about to take pictures in is about an hours drive south of Puerto Vallarta on the west coast of Mexico in the Bay of Banderas.

Selecting a site to take nature pictures isn’t always easy, especially in tropical and sub-tropical forests where lush plant growth limits the chances of a clear view; there is nothing quite so infuriating as hearing a bird close by and not being able to see it. The second problem with dense leaf cover is the limitation on light, which can inhibit making good exposures adding yet another layer of complexity to working in the woods.

When the canopy gets dense there is less light. On the walk I am about to take I will see interesting birds like this golden-cheeked woodpecker showing off his punk hairdo. Light is coming in from above, but very little is reflected back onto the subject - there is consequently a lot of backlight to deal with, but here it works nicely, demonstrrating that it isn't always necessary to take the obvious route of frontal flashlight photography. Some say, that if you do it properly, you don't notice?  But of course,  if you're really looking... you do, but In our own minds we can believe anything we want.
 On the walk I am about to take I will see interesting birds like this golden-cheeked woodpecker as he shows off his punk hairdo. When the canopy is dense, less light gets in and it comes from above and very little is reflected back onto the subject and from the ground most will be backlight, but here the effect works nicely, demonstrating that it isn’t always necessary to be so obvious as to resort to flash photography. Some say, that if you do it right, nobody will notice -but of course you do if you are really looking. It goes without saying, that in our own minds we can believe whatever we want to.

It is now only about three and a half hours before my wife and I will take a taxi to the airport and reluctantly fly out of Mexico, which means I need to optimise my chances of getting a handful of wildife pictures in the limited time available, and this is how I’ve chosen to do it.

I’m walking to a site that is approximately half an hour from our hotel, which is a little further out from the ones that most tourists stay in, centred as they are on the main beach resorts which don’t usually have such ready access into the forest as the one we are staying in.

The local forest isn't pristine wilderness, but the further you walk up the hill away from agriculture and the local village, the more natural things become.
Most habitats that are close to humans are  no longer pristine, but the further I walk up the hill away from the local village and its agriculture, the more natural things begin to look. This is tropical dry forest, but during the rainy season the distinction isn’t quite so apparent.

It is now after 10.00 a.m., but I’m not overly concerned by a late start because an overnight rainstorm has continued into the morning, and earlier, the light was poor. The suggestion that you have to be up and out before the crack of dawn to see wildlife is a myth as it very much depends on where you are and what you are hoping to see. 

On open plains early morning and evening are key times for animal activity.
On the flat open East African plains early morning and evening  are ideal times to observe and photograph wildlife.

In flat open places getting out early makes sense; the light can be dramatic and provide more interesting photos, but in forest, there is sometimes an advantage to moving out a little later; you may not see as many birds as you would have earlier in the day, but then you probably wouldn’t have had enough light to photograph them anyway. All is not lost by waiting until after breakfast when sun dependent species such as reptiles and butterflies are usually more frequently seen, and I’m hoping to photograph some of these today before heading back to eat, shower and make our pre 4.00 p.m. departure time.

I follow a dirt road along the river, heading into the hills and stop close by a swimming hole, where the forest opens out. There is seldom anybody here before mid-day during the week, and at the edge of the forest good light is available. The river is only about 20 meteres down a rocky slope – this proximity to water ups the species count and overnight rain has freshened everything up.

After rain, the varied greens of the forest are often intensified.
After rain, the varied greens of leaf growth intensify in sunlight, but futher up in the hills the forest remains hidden beneath a steaming mist.

Because time is limited I will remain in one place, moving no more than 20 metres in any direction and for most of the time I’ll be standing still, hoping to photograph anything that passes through. Looking up into the canopy visibility is limited and this combined with my self imposed range esentially confines any activity to an approximate 20 cubic metres.

This is secondary forest and sometimes what appears to be natural… isn’t. There is a well established mango tree close by, but this isn’t a species native to Mexico. Mango arrived during the early 19th Century by a circuitous route from its native land of South Asia, and the ancestors of this tree probably started out in Burma or eastern India.

The river next to my chosen 20 metre cube is beautiful.
The river next to my chosen site of activity is quite beautiful.

For several hundred years it has been difficult to guarantee that what you see in a forest really belongs there because we have a tendancy to transport plants with agreeable fruits from one place to another, and we move many other plants that can be utilised for other purposes e.g. trees for timber and rubber plants for rubber, along with a wide range of plants that we just find visually pleasing.

A great many species have been moved to where we think they will grow best and a lot have colonised their new surroundings as successful plants tend to do. I’d prefer to photograph a native animal feeding on a native tree, but if an interesting bird shows up and starts ripping into the fruit above me, I won’t be ignoring it. 

Trees at the edge of the forest are sometimes interlopers especially in agricultural areas.
Trees at the edge of the forest are sometimes interlopers, especially in agricultural areas.

I have visited this location three times over the past week, and have a fair idea of what shows up. Yesterday evening I noticed some fruit had been dropping – a ripening that can be attractive to many birds and insects – one fallen fruit has been cleanly sliced, possibly by a beak, and I suspect parrots have been feeding here recently. There is very little sign of bird droppings, but as the fruit is only just ripening, visits may have only just started. Where rivers cut through the forest we’ve seen noisey flocks of parrots flying along the corridors they create, but I’ve not yet managed to photograph any birds, and it is perhaps a little hopeful to think that I might do so in the limited time left to me, but nevertheless, it is one of the reasons I’ve returned to this spot.

In most cases standing in one place on the off chance that something might pass through is a waste of time – waiting requires logic and reasoning, unless of course you think this is going to be your lucky day; with a limited number of heartbeats available to each of us it is perhaps better to make decisions based on observation rather than gamble time away.

Fruits and seeds on the forest floor are often a good indication that interesting might visit the canopy above.
Fruits and seeds on the forest floor are often a good indication that interesting visitors might be coming into the canopy above.

Ripe fruit and seeds are powerful attractors, but to photograph nectar feeders and pollinators it is necessary to seek out flowers.

Hummingbirds in particular utilise flowers colour.
Hummingbirds rely on recognizing a flower’s colour.

It is not essential to know what species they are – anything with bright colours is good, although many insects utilize ultra-violet and don’t see colours the way we do.

A strong scent is another indication that flowers are attempting to attract pollinators and there is nothing to be gained by waiting beside a plant that is wind pollinated – such flowers can be plentiful but are often small with muted colours, however very few wind-pollinated plants will show up in the lower section of a forest where still conditions make the process impractictical.

 

There is no magic to being in the right place at the right time; the signs are usually obvious; it is just a question of clocking up the plus points to optimise the chances of seeing an interesting animal. Careful observation also opens up the opportunity of learning something new, and in tropical forests there’s a real chance of photographing a species that hasn’t been recorded before.

Almost in paradise!
Almost in paradise!

In a previous post I mentioned that Mexico has a litter problem, but for the most part I’ll conveniently ignore the rubbish pile that is increasing by the day about 10 metres to my right in what in all other respects is paradise. Instead, I’ll do what I’ve done so often before when filming wildlife – point the camera in a direction of whatever accentuates the positive and minimises the negative. Positivity is generally highly regarded – our brains like that sort of thing – but there is a time and a place for everything, and if we continue to ignore the terrible state of many natural environments, we must do so at our peril: our negligence has now reached epidemic proportions. T.V. wildilfe documentaries in particular continue to lull us into a false sense of security – buoying  us up on a tide of beautiful pictures, until we pretty much believe that everything is going to be alright, when the truth is… it really isn’t.

Whether this edge of the forest will remain intact for another ten years is open to question because development for tourism is rampant and almost everything is up for grabs if the money is right.

I said that I would avoid litter, but once you are taking pictures on the ground it can be difficult.
It is impossible to avoid the ‘L’ word once down in the leaf litter because alien litter is everywhere. 

When taking photographs I am often a lone Englishman amongst local people. Presently, there are very few tourists around because it is the start of the rainy season – a discouraging period for sun seekers, but there are also those too frightened to come out of the resorts into Mexico proper because news reports back home suggest that they might be kidnapped and held for ransom. In most out of the way places here nothing could be further from the truth. Mexicans are a friendly and courteous people and it is safer walking out in this location than it is in many parts of the U.K.. You might feel especially safe visiting the Isle of Wight in the South of England, but if you cross Southampton water and wander along the sea wall in the old town of Portsmouth on a hot summers afternoon when the local lads have been drinking it might be another story. And then of course there’s Syria…Everything is relative.

A couple of days ago, I saw and photgraphed a  pair of basilisk lizards basking on rocks only a few feet from where I am presently standing, the sun was intense and I didn’t manage any really good pictures, so I’m on the look out for the lizards again.  There was one here yesterday evening sat on a rock in the river and he did a really good job of avoiding having his picture taken.

This pair of basilisks remained together for some time, largely ignoring me as I didn't get too close and went only when their chosen sight went into shadow. rock.
This pair of basilisk lizards largely ignored me because I didn’t get too close. I photographed them on a tripod using a 400mm lens with a long exposure at f32 to optimise depth of field, and made the best of things by focusing on a point between the two, which has worked. The slow exposure wasn’t a problem because they might just as well have been one of the rolling statue exhibits on the fourth plinth in Trafalgar Square – they remained completely still and only moved when their chosen basking site went into shadow.

Today, there is a sizeable iguana close by the rock where the baselisks were playing at statues a couple of days ago and is keeping a warey eye on me. I get close enough for a  picture on the 400 mm without causing any disturbance and get lucky with some fairly even light – I wait for a cloud to partially obscure the sun – the exposure still looks like a full sun exposure but really it isn’t – the contrast has just dropped enough not to blast out the highlights on the rock (our brains are better at compensating for extremes of light than a camera and so we make images in photography work to fit that, and  this situation might encourage some to even things out by using flash, but I never do that, although I will admit to sometimes bouncing light back onto a subject using a reflector, but not today – this is as near to our brains reality as a photograph can get.

I've seen this iguana before, the last time he was more cautious, observing me by poking his head up from behind a rock.
I’ve seen this iguana before, but the last time out he was more cautious, observing me in peek a boo fashion, poking his head up over the rocks.

There are now several butterflies taking turns to sit out on twigs and leaves right infront of me – they do so one at a time, until a sitter takes flight to interact with another flying over and then returns to land indicating that these are probably territorial males. I take loads of pictures, few of which are any good as these butterflies don’t remain in place for very long. I’m never going to capture a shot of an individual with its wings open, as might have been possible earlier in the day (so much for a late start being no problem!). It is now well over a hundred degrees F and all sit with their wings closed, orientating to minimise their surface areas to the sun which aids in the regulation of their body temperatures.

I managed only one decent picture of this butterfly - but one is all you need. I have no idea why so many of the others failed, but then digital images come cheap and its worth taking more than I might have done if I were still using expensive film, especially as I live thousands of miles away and am unlikely to be passing by this way anytime soon.
I managed only one decent picture of this butterfly a simple checkerspot. Chlosyne h. hippodrome – but one is all you need. I have no idea why so many other pictures have failed, but digital images come cheap and its worth taking more than I might have done back when I was using expensive film, especially as I live thousands of miles away and am unlikely to be passing by this way anytime soon.

While I’ve been absorbed in butterfly behaviour a bird I’ve never seen before lands on a branch straight ahead of me and it would be difficult not to have noticed the flash of lemon that signals the upfront arrival of this bird. Usually I am careful to move slowly so as not to frighten a twitchy bird and sometimes it is a toss up between not missing the shot and not moving too fast, but I know by this birds confident posture that it isn’t likely to leave anytime soon; it moves its head from side to side, holds each pose for a time to provide full opportunity for a variety of shots, and I begin to wonder if it has shown up with the expectation of being fed.

A great kisadee shows up and sits right infont of me. This is not a rare bird, but none the less startlingly impressive - probably because I've never seen one before.
A great kisadee sits right infont of me. This is not a rare bird, but none the less it is startlingly impressive – probably because I’ve never seen one before.

 Then I hear the parrots, a large flock have just crashed into the tree above me and I know they are feeding on the fruit, because all sorts of stuff is dropping out of the tree. Their noise is raucous and continuous as they bash about in the upper branches, but I can’t see a single bird – it’s very frustrating. I move about a little in order to get a view of at least one, but the leaf cover is dense and I see absolutely nothing. After a few minutes the flock moves forward into an adjacent tree and now I get a glimpse of this tumbling sprawl of birds, with one group flying a few feet and then landing, followed by another, then another, until the first group moves forwards again… and so on.

I move with them fearing that they will keep going beyond my range, but then I get lucky, they land and settle in a tree  – the forest looks natural but for some reason a wire fence runs down between me and the tree ending about 25 metres before the river leaving a walkway through at the top of the rocks wide enough for me to walk through with the gear. The parrots are now settled and preening and are going to be there for some time – if they hadn’t moved I’d have shot everything within 10 cubic metres, but they’ve doubled my range. I’m ducking this way and that trying to get a clear view of one or other of the preening groups. I settle on three that are squashed close together and watch as one or other offers a head for a group head preen; now the one in the centre is swinging under the bough and nibbling at another’s claw – the other two are engaged in preening themselves and frequently bury their heads so deeply ito their wing feathers that they appear headless – it is difficult enough getting shots through the branches, without two of the birds appearing decapitate for 80% of the time.

It's the Marx Brothers after Zeppo the one who wan't funny no longer appeared on screen, and now they are in full colour.
It’s the Marx Brothers after Zeppo (the one who wasn’t funny) left the group. Now their act is in glorious colour.

Add to this the lack of light and my rapid uprating of the ASA and I am dubious about the grain on the pictures I am taking, but there are now several groups of birds partially clear of the foliage, and so I just keep taking pictures until I run out of memory on my card and then replace it with one which is also part filled and soon I have to take a third card from another camera in order to keep going, I know I should take some flash pictures but resist the temptation. I don’t have a top of the range camera, and it can be slow and I don’t want to have wait for it to load up as well as recharge for the flash. I just keep taking pictures as quickly as I can -other than being in the right place, there is no skill required to do any of this.

These are orange-fronted parakeets, despite their name they look more parrot than parakeet.
These are orange-fronted parakeets; despite their name they look more like parrots to me than the long tailed parakeets I have become used to seeing over the years… But then what do I know?

I once rescued a parrot from a pet shop that looked a bit like these, although his head and wing markings were slightly different. Wally was, I think, a white-fronted Amazon, but he probably never saw the river because most likely he was captive bred. This was a bird pining for his owner – an older gentleman who had recently died; he wasn’t eating and pretty soon he would become ‘a late parrot'; so, for a time I took him everywhere with me, even allowing him to sit on my shoulder as I drove the car… don’t try that though, it’s probably illegal and certainly a distraction to other drivers. Slowly Wally came out of his depression and began eating again; once he was feeling better it was as if he’d suddenly remembered that he was at the centre of the Universe. Key words would set him off and he’d start raucously screaching a repeat of things you said whilst bobbing about madly; when you laughed, he laughed. It was cyclical hilarity and often became hysterical. Then one day he met my father and it was love at first sight, he would do little dances turning this way and that, and then flash his wings to impress him…  and soon they moved in together and Wally would become very bad tempered when they were seperated – perhaps my father reminded him of his previous owner. I don’t advocate keeping parrots, but completely understand why people want to do it.

I see another pair of parrots in good light and start taking shots of them… then a single parrot is wandering about in even better light and grab a picture as he walks along a branch.

A single parrot moves into the light, and I get a picture before it dissolves into branches and leaves.
A single parrot moves into the light, and I get a quick picture before he dissolves once more into branches and leaves – in both senses of the word.

The parrots hang around for about twenty minutes before they start moving on. The three break up and then there are two, now too far apart to frame together comfortably. I take this as a sign to give up and get on back down the road to eat by the pool with my wife and take a shower while she organises a taxi which she manages before I’ve cleared the room of luggage. Once again it’s about heartbeats and we aren’t wasting any of them.

Within the hour we are in an air-conditioned airport which seems a million miles from the green encompassing humidity of the morning where wringing wet I could hardly see for the salt in my eyes as I strained my head back and I manoeuvred my tripod to keep a small group of parrots in frame. Parrots that were completely indifferent to my presence, and if it weren’t for the pictures I’d be tempted to think I’d simply dreamt the whole thing up. It was fabulous. There is something agreeable about not being part of it – I was there, but for all the difference it made, it was as if I hadn’t been there at all. In twenty years time it might be interesting to return and see how much of paradise remains, by then it might be neck deep in litter or a hotel complex with the name ‘The orange-fronted Parakeet’ although of course there will be no sign of anything resembling a parrot apart from a relief picture on the wall because ironically, we have a habit of destroying the very things that we think we care most about.

With thanks to my friend Dr Mathew Cock for confirming and identifying my Mexican butterfly pictures without whose help some of my images might well have been misidentified.